Archival prints | Painting commissions

PHOTOGRAPHS AND PAINTINGS

TREES ON WOOD

In search of expanded creative liberation, I focus on a singular subject matter, just trees. I begin with photography, which is a language I’m deeply fluent in and familiar with, and this first grasp is an introduction. That is the first moment of meeting between the camera and the living main character. Just as spontaneously, the visual grid narrows the focus again, and rhythms ripple across the visual plane, defined by the outlines of leaves and the gestures of the lower trunk and upper branches.

What was endless open sky is forced into borders and the frame supports the harmonization of shapes and physical planes in depth. The sculptural forms are easier to apprehend and delineate.

Beyond obvious benefits to our planet body system’s health, trees support us wherever we go. Their responsiveness to the wind that is activated by the water, their deep and hidden roots connected directly to the planet, their sheltering, encouraging, solemn care have been inspirational, mysterious, scary, confusing, healing, guiding, and loving. This relationship is what I aim to capture in my paintings on wood.

When the wind blows towards you and the branches are waving, I capture that experience in the photograph. Then I print an extremely high quality archival image as my ultimate subject matter and turn that into a finished painting. There is perfect sense in this nonlinear process.

I leave the most liberty at end stage where color is used in a sculptural planar manner to carve form and space into the illusion of depth. Figurative realism gently begets wonder.

—Nisi Ariana

BACKGROUND

I studied painting, mixed media, collage, drawing, sculpture, and advanced color theory at The Cooper Union for Science and Art in New York City, and traditional egg tempera and fresco painting in Cortona, Italy on full scholarship.

At Fashion Institute of Technology, I studied computer science, digital photography, and silk painting. At SUNY Binghamton, I studied analog field recording, film sound design, and nonlinear editing. With Yeuda Ben-Atar’s guidance, my years of teaching and practical editing and sound design have expanded to music composition, synthesis, and spatial design.

COMPOSING, SOUND DESIGN, 3D ANIMATION

Music, Sound, 3D Animation 2021-present

Technical editor, colorist, sound editor for films by Ken Jacobs 2001-2021

Audio Video teacher at NYU Graduate Center of Advanced Digital Applications, NYU Continuing Ed, NY Film Academy, The New School, BMCC, The Edit Center, Future Media Concepts, Soho Editors, and national certified Apple Authorized Training Centers (Final Cut Pro, 3D Motion. Apple Certified Trainer.) 2003-2012

PERFORMING AT SHAPESHIFTER LAB, NYC

Other venues include Union Pool, Le Poisson Rouge, Secret Project Robot with Ken Jacobs’ Nervous Magic Lantern, Pianos, Silent Barn, Palisades, Cameo Gallery, Bowery Electric, Trans-Pecos, AS220, BSP Lounge

AUDIO VIDEO ART

ETERNAL BEACH by NISI ARIANA

Music, Sound, 3D Animation: Nisi Ariana
Photography: Mark McElhattan
Eternalism Technique: Ken Jacobs

ABSTRACT ETERNALISM by KEN JACOBS and NISI ARIANA

Music, Sound, 3D Animation: Nisi Ariana
Digital Painting: Ken Jacobs
Eternalism Technique: Ken Jacobs

NOTABLE EVENTS

  • ABSTRACT ETERNALISM at the MoMA Sculpture Garden
  • ETERNAL BEACH at the MoMA 
  • GROMMETS in 5.1 surround at the Berlinale 2015
  • NOTHING/MOVING: A MULTICELLULAR ORGANIGRAM in multichannel AV at Maya Stendhal Gallery

PROGRAMS, MULTICHANNEL INSTALLATIONS, FESTIVALS

Jeu De Paume Museum Paris, San Francisco Cinematheque, River to River Film Festival, Tribeca Film Festival, Hong Kong Film Festival, Circulo de Bellas Artes Madrid, Maya Stendhal Gallery, SONAR festival at the Caracas Contemporary Art Museum, CalArts Film/Video Cinematheque, Haus der Kulturen der Welt Berlin, Diapason Gallery, The Alejandro Otero Museum, National Cinématheque of Spain, Manchester Metropolitan University of England, International Biennial of Contemporary Art Venezuela, 9th Korea Experimental Arts Festival Seoul, Happy New Ears Festival Belgium, Q-02 Belgium, Ear to the Earth Festival, Judson Church, The Stone, SYNCH Electronic Festival, Phatory Gallery, HOWL Film Festival

A SHORT INTERVIEW

In other news, a short interview with Max Spoerri and Ken Jacobs conducted by me and filmed by my brother, Azazel Jacobs, has been green lighted. Ken and Max met in Hans Hofmann’s painting school in NYC in 1955. They are among my greatest creative influences, and have graciously entrusted me with presentation to larger markets of their visual artwork.